don't listen to his new stuff - its just pop music...
a LONG while ago i actually bought this:
http://www.discogs.com/DJ-Ti%C3%ABst.../release/87611
and i have to admit its actually pretty good
don't listen to his new stuff - its just pop music...
a LONG while ago i actually bought this:
http://www.discogs.com/DJ-Ti%C3%ABst.../release/87611
and i have to admit its actually pretty good
Listen to my latest mix at the top of the blog, articles on events, music, advice and basically me mouthing off about topics in house music...
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Latest mixes:
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In the past 18 years I've had probably less than 50 weekends off. I DJ in different country every weekend. The past 10 days I've had 6 gigs but I usually try to keep it at one gig per weekend since the year 2000. I've don't play in Chicago much because it's just not worth the hassle. I do see Chicago DJs like Terry Hunter, K'Alexi, Jesse Saunders, Frankie Knuckles and Farley in other countries though.
I was playing a lot early 80's before I got records out, but nothing approaching the fame of some of the bigger Chicago DJs
Last edited by Marshall Jefferson; 07-30-2010 at 09:15 AM.
Hey Marshall,
Many thanks for sharing such indepth knowledge and experience in making this such an awesome thread.
Could you please tell us the story behind how you and Kym Mazelle go to collaborate to make the stompers of "I'm Your Lover", "Taste My Love" and "Useless"?
This music was made for stompin!
I was at a Byron Stingilt performance at Riviera I think. Kym was there with another girl named Cynthia Tolliver. Cynthia was a bit drunk and kept bragging about how good she could sing. Kym added that she could sing a bit too, very quietly. Anyway, Cynthia looked great so I booked a session for "Taste My Love" the next day. Kym sang all the background parts all the way through perfectly, which was a pleasant surprise.
Cynthia then got on the lead and fucked up every way imaginable, from diction to pitch to even timing, she just didn't get it. I suggested she take song home and learn it, but as soon as she left I put Kym in the vocal booth and she knocked it out with no trouble.
http://cyberjamz.com 'DJ RAS! pres. the Fri. Night Dance Party' live 10pm-12am EST. http://soundcloud.com/djras2000. 'Have you ever danced with the devil under the pale moonlight? I just ask that of all my prey'- Jack Nicholson as the JOKER
Wow, I think that was the only release that came out on me and Ce Ce's label Heavy Left. We got into a big fight producing that record. it was pretty stupid actually. I was from Chicago and the Bulls were playing the Knicks in the playoffs-who am I going to cheer for?? Jordan and Pippen of course! Anyway, I was lucky I got out of Ny and Jersey alive that year! Mark Mendoza was even talking a ton of shit about how the Knicks were gonna beat us that year-him and Ce Ce ganged up on me BIG time, especially when the Knicks went up 2-0. Let ne stop now because. we all know how that turned out......
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Mark, I couldn't believe how everybody lost their sense of humor when the Bulls came back. It was so much fun when the Knicks were up-everybody was laughing and happy then damn, the whole town seemed possessed. Everybody had that mean look on their faces, and Ce Ce's neighbors kept telling him to shut me the hell up..........it was nasty, lol.
"Allow me to NOT be part of the collective, but an INDIVIDUAL center of attention"
The Drumapella mix of "Bird in a Gilded Cage" is still my shit!!
Nerd confession: I rode the El in Chicago a while back with "Free Yourself" playing in the headphones...literally sent chills up and down my spine and I broke out in goosebumps. People were looking at me like I had SARS or something...
"Tattooed men who are not behind bars are either latent criminals or degenerate aristocrats. If someone who is tattooed dies in freedom, then he does so a few years before he would have committed murder." -- Adolf Loos
make a steppers record
reese the reviewer, CEO, dj mix critic, consultant, www.whycantyoudance.blogspot.com, chicago, illinois USA
"I bet you argue with yourself just to make a point." -- bkny11203
Don't hate the black, don't hate the white. If you get bit, just hate the bite -- Sylvester Stewart aka Sly Stone
I only debate my equals, all others I teach. -- John Henrik Clarke
Frustration leads to long-term memory -- anonymous
http://www.zshare.net/audio/185004588c9e04
djmarbll.podomatic.com
http://www.soundclick.com/bands/defa...?bandID=783049
part 2 of this:
When "Move Your Body" got released, it wasn't released on my label, it was released on Trax records. Larry did a last minute hack job because he was so excited , and didn't even bother to recut or remaster it, he just scratched out my label number (OS2 for Other Side Records 2) on the mothers and added his own (Tx 117) to this day you know you have an original pressing if you see where he scratched out my label number.
Another thing that gave me grief was he put down "Marshall Jefferson" as the artist. I had been using the nickname "Virgo" for more than a year and it was my 1st nickname. All my life i wanted a nickname but never had one, the song being so popular totally blew Virgo to the side and I haven't used it since. The artist on "Move Your Body was supposed to be "On The House"-my friends from the Post Office, Curtis McClain, Rudy Forbes, and Thomas Carr, and putting it mildly, when the record came out as "Marshall Jefferson", they weren't too pleased.
They stormed over my house and asked me wtf was going on. I told them Larry Sherman put it out on his label instead of mine without my consent. They didn't believe me and I gave them the address to Trax Records so they could go and talk to Larry and straighten it out.
Well, when they got there Larry basically told them that Marshall Jefferson was the name on the label and they could kiss his ass, before telling them to get lost not very politely. They came back over my house and told me how Larry was a crook and all that. Norman Davis, who was Curt's friend came up with the idea of me signing an affidavit that they sang on the record and that's what I did.
They then took the signed affidavit to Larry and Larry told them that they were really great singers, and he'd given me $150,000 and put my name on the song because I'd signed a contract. They stormed back over my house and asked me for some of the $150,000. I told them I he hadn't given me $150,000 and in fact i'd paid him $1500 to press up 1000 copies on my own label, but they didn't believe me, even after i showed them the receipt. They said they were going to sign a contract with Trax Records because Larry was going to put their names on records and pay them a lot of money. I tried to talk them out of signing a contract, but I guess when your record's playing on the radio and you have no money and your friends and family are all telling you how great you are things get irrational.
This is what I put it down to and I tried my best to talk them out of signing a contract, but they did it anyway. To make a long story short Larry gave them no money, but he did put their "On The House" as the artist on 2 records.
The problem was, after I started meeting with major labels, everybody wanted to sign the guys that made Move Your Body, but they'd already signed with Trax records.
*edit* I explained why Vince Lawrence's name was on the "Virgo" records earlier
Last edited by Marshall Jefferson; 07-31-2010 at 02:22 AM.
http://beachbodycoach.com/SLIMWITHTIM
http://video.google.com/videoplay?do...96607580&hl=en
http://freedom4um.com/cgi-bin/readart.cgi?ArtNum=63815
http://nomoregames.net/presentations...ust_07.ppt.htm
http://killtown.blogspot.com/2007/05/why-they-didnt-use-planes- to-hit-wtc.html
"What you hear you forget, what you see you remember, What you do you understand"
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