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Thread: Mark Farina kicked off Vegas outdoor venue

  1. #101
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    Was there a written agreement between Farina and the venue?

    If so, were there terms regarding the music he would play?

    if there was an agreement, was there a provision in the agreement that gives the venue
    the ability to remove and reschedule at the venue's discretion?
    "You can master any situation if you can master yourself."
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  2. #102
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    nm
    Last edited by Fletch; 06-05-2012 at 12:22 PM.
    "You can master any situation if you can master yourself."
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  3. #103
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    Quote Originally Posted by liL Ray View Post
    that was 10 paragraph of nothing he wrote...when I came away from the piece, i knew just as much as when I started reading. Time I cannot get back.
    for real.. what the fuck did he say besides self congratulate? at least i was on the shitter so time wasn't wasted

  4. #104
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    Quote Originally Posted by Armento View Post
    for real.. what the fuck did he say besides self congratulate? at least i was on the shitter so time wasn't wasted
    I couldn't even read it, who was that guy his manager? I'm sure Farina made his money any way. Seems like Miguel Migs got on, bored the big spenders and they abandon ship, went back to the same old script and made that money.
    Last edited by Sal Paradise; 06-05-2012 at 12:30 PM.

  5. #105
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    Quote Originally Posted by Sal Paradise View Post
    I couldn't even read it, who was that guy his manager? I'm sure Farina made his money any way. Seems like Miguel Migs got on, bored the big spenders and they abandon ship, went back to the same old script and made that money.
    sounds like the promoter of the party?

    all i know is my cousins were at this table and they had no idea what happened, who was playing nor could they give less shits.


  6. #106
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    To be honest, one should be careful about what one says on twitter, fb.
    Making statements that you "got the boot" on Twitter could rub venues
    the wrong way if they see the tweet! Just a thought.
    "You can master any situation if you can master yourself."
    --TD Jakes

  7. #107
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    Anyone noticed Resident Advisor's latest photo entry? kinda ironic no?


    http://www.residentadvisor.net/photo...aspx?set=23427














    [Img]

  8. #108
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    Quote Originally Posted by El Mayimbe View Post
    Anyone noticed Resident Advisor's latest photo entry? kinda ironic no?


    http://www.residentadvisor.net/photo...aspx?set=23427














    [Img]
    Looks like a nice/fun crowd ... but even my old eyes can only see 3 people with a drink in their hand(s), and emtpy cabanas
    Last edited by DaveR; 06-06-2012 at 02:09 AM.
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  9. #109
    "threatening to overtake Miami’s Winter Music Conference as the big go-to dance music confab in the U.S."

    Vegas competing with the WMC ? I might attend to check it out if this is true.
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  10. #110
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    Quote Originally Posted by DaveR View Post
    they are huge draws - and I love them both -- actually all 3 b/c Pauly D was a really cool dude the one time I met him
    Tell me more about meeting Pauly D ....

    no homo

  11. #111
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    This trend of kicking off underground dance music DJ's off the decks reflects a clash of two distinct clubbing cultures. It will continue to happen while American EDM culture (I think it is time to view the mainstream embrace of dance music as something distinct from underground house, techno, etc. They are related but as far as the underground is concerned it is distinct) figures out its relationship to the underground.

    I could see why some underground dance DJ's would jump at the chance at spinning at clubs like Mansion. They fogure that this US interest in EDM would give them the opportunity to spin domestically more often, thus cutting down the amount of travel they do, giving them more time to spend with their families (very important as these guys are getting older). However, they are increasingly find that this current version of EDM culture has its own rules that they need to follow that they were not used to. Guys like Mark Farina and Dennis Ferrar may be superstar DJ's to house music audiences but to an audience weaned on Deadmaus and Skrillix, it's "Who?"

    The promised land of more lucrative US based gigs suddenly does not look so promising. In the end the promoters and venue owners will not hire these types of DJ's and some of these DJ's may decide (or not) that these gigs at places like Mansion may not be worh the trouble but in the end mainstream EDM and underground house will continue to travel in their separate but relatwd directions.
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
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  12. #112
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    Quote Originally Posted by Murf View Post
    Tell me more about meeting Pauly D ....

    no homo
    we DJd the same event ... he was cool & friendly to everyone (taking time to take pics w/ the organizers' kids, etc) - zero attitude

    Last edited by DaveR; 06-06-2012 at 02:24 PM.
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  13. #113
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    Quote Originally Posted by Myron View Post
    This trend of kicking off underground dance music DJ's off the decks reflects a clash of two distinct clubbing cultures. It will continue to happen while American EDM culture (I think it is time to view the mainstream embrace of dance music as something distinct from underground house, techno, etc. They are related but as far as the underground is concerned it is distinct) figures out its relationship to the underground.

    I could see why some underground dance DJ's would jump at the chance at spinning at clubs like Mansion. They fogure that this US interest in EDM would give them the opportunity to spin domestically more often, thus cutting down the amount of travel they do, giving them more time to spend with their families (very important as these guys are getting older). However, they are increasingly find that this current version of EDM culture has its own rules that they need to follow that they were not used to. Guys like Mark Farina and Dennis Ferrar may be superstar DJ's to house music audiences but to an audience weaned on Deadmaus and Skrillix, it's "Who?"

    The promised land of more lucrative US based gigs suddenly does not look so promising. In the end the promoters and venue owners will not hire these types of DJ's and some of these DJ's may decide (or not) that these gigs at places like Mansion may not be worh the trouble but in the end mainstream EDM and underground house will continue to travel in their separate but relatwd directions.
    I feel what you're saying, and I think I understand the spirit ... but Farina and Ferrer are not underground - they are very much above ground, and have been for a long while, w/ thousands of fans from all walks of life
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    "I Shoulda, Woulda, Coulda ..." today, is likely the result of saying "F### it" yesterday

  14. #114
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    Quote Originally Posted by DaveR View Post
    I feel what you're saying, and I think I understand the spirit ... but Farina and Ferrer are not underground - they are very much above ground, and have been for a long while, w/ thousands of fans from all walks of life
    "Underground" and "commercial" are relative terms. Within the dance music world they are commercial, having crossed over into the overground from their underground roots years ago. To the clientele of the Mansions of the world their accomplishments and success means nothing. They have no crediblity within that world (if they did they would not have been pulled from their gigs).
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
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  15. #115
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    Quote Originally Posted by DaveR View Post
    I feel what you're saying, and I think I understand the spirit ... but Farina and Ferrer are not underground - they are very much above ground, and have been for a long while, w/ thousands of fans from all walks of life
    Are they played on the radio? To me that's (Europe) mainstream.

    Never heard a Farina or Ferrer tune on my FM for ages. I wouldn't say that for Guetta or Felix Da Housecat, Tiesto is strangely rarely on my FM but everyone know is name and supagigs.

    Farina and Ferrer are more like Carl Cox to me: able to bring thousands to a house/techno night, playing Ibiza, but that's not the mainstream club party people. Those guys who listen to their FM all day long, in their cars, and like to drink and show-off in mainstream nightclub on saturday nights, barely dancing but yelling over the same FM hits they heard all week long.
    Real consumers!

    My Belgian cents.

    Idance

  16. #116
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    Quote Originally Posted by Myron View Post
    "Underground" and "commercial" are relative terms ...
    relative to what?

    I bought Mushroom Jazz CD in a store (that charged me sales tax) ...

    'relative' is often a useless word for self-soothing, and often the reason why folks continue to get in these types of situations, and don't know how to get out of them
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  17. #117
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    Quote Originally Posted by the crackhouse View Post
    Are they played on the radio? To me that's (Europe) mainstream.

    Never heard a Farina or Ferrer tune on my FM for ages. I wouldn't say that for Guetta or Felix Da Housecat, Tiesto is strangely rarely on my FM but everyone know is name and supagigs.

    Farina and Ferrer are more like Carl Cox to me: able to bring thousands to a house/techno night, playing Ibiza, but that's not the mainstream club party people. Those guys who listen to their FM all day long, in their cars, and like to drink and show-off in mainstream nightclub on saturday nights, barely dancing but yelling over the same FM hits they heard all week long.
    Real consumers!

    My Belgian cents.

    Idance
    I hear ya, and understand what you're saying ... however, end of story, these guys were booked at Marqee VEGAS - that alone, kinda kills the underground campaign
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  18. #118
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  19. #119
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    Quote Originally Posted by DaveR View Post

    Funny I always felt like the Mushroom Jazz series sounded like some muzak wallmart would be pumping out of it's speakers. Not my thing.

  20. #120
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    Quote Originally Posted by Sal Paradise View Post
    Funny I always felt like the Mushroom Jazz series sounded like some muzak wallmart would be pumping out of it's speakers. Not my thing.
    Underground Walmart
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  21. #121
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    Quote Originally Posted by DaveR View Post
    relative to what?

    I bought Mushroom Jazz CD in a store (that charged me sales tax) ...

    'relative' is often a useless word for self-soothing, and often the reason why folks continue to get in these types of situations, and don't know how to get out of them
    Usually when the word "commercial" comes up in a conversation among dance music heads it usually means "not the sound I was expecting in an 'underground' environment (whatever that means)" or "a sound I don't see like," so that term really comes to mean nothing to me when mentioned in relation to dance music.
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
    Myron's Library Blog: http://myronslibraryworld.wordpress.com/
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  22. #122
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    Quote Originally Posted by Myron View Post
    Usually when the word "commercial"is comes up in a conversation among dance msuic heads it usually means "not the sound I was expecting in an 'underground' environment (whatever that means)" or "a sound I don't see like," so that term really comes to mean nothing to me when mentioned in relation to dance music.
    cool ... now, what does Walmart (and that's just one example) mean to you?
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  23. #123
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    Quote Originally Posted by DaveR View Post
    Underground Walmart
    That's a magazine article I'd like to read. Walmart is just to big with to many employees not to have some sort of underground.

  24. #124
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    Quote Originally Posted by Sal Paradise View Post
    ... Walmart is just to big with to many employees not to have some sort of underground.
    wot!?
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  25. #125
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    Quote Originally Posted by DaveR View Post
    cool ... now, what does Walmart (and that's just one example) mean to you?
    I live in NYC so Walmart means nothing to me.
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
    Myron's Library Blog: http://myronslibraryworld.wordpress.com/
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