Page 8 of 8 FirstFirst 12345678
Results 176 to 200 of 200

Thread: The 30 Richest DJs in the World

  1. #176
    Join Date
    Apr 2001
    Posts
    14,082
    Quote Originally Posted by Jozana View Post
    As long as the guys on this list are playing the music they love and making the music they love, i got nothing but respect for them and admire the fact that they're making that kind of money doing what they love. What i can't stand is the millions of idiots who will read an article like that and try to follow the formula hoping they have the same success when they don't even like that type of music. Playing, making, & promoting any type of music while you can't even stand the shit yourself is a part of the damn problem.
    Trust, that online publication is posting the things they post in a hope to attract advertiser dollars, nothing more or less.

    That site quoted Bishop Don "Magic" Juan as saying he owned a record store and used it as a front for his prostitution activities...GTFOH!!!

    Clerk: Magic Music...you finding everything ok?
    Customer: I was looking for Big Booty Judy
    Clerk: I'll send her right out. What are you driving and where are you parked?

    Bwwwwaaaaaaaaaaaaaaaaaaaaaaaaaaaahhhhhhhh

  2. #177
    Join Date
    Oct 2003
    Location
    Arlington, VA (Washington DC Metro)
    Posts
    47,196
    Quote Originally Posted by LEONARD REMIX RROY View Post
    We're cool & if anybody read into this and believed Dave & I were having some kind of spat...you're wrong.
    Website - www.clubflipside.com | Beatport - http://dj.beatport.com/#/daver | Resident Advisor - www.residentadvisor.net/dj/daverussell |
    Podcast - www.daverussell.podomatic.com | YouTube - www.youtube.com/daveruss66 | Facebook - www.facebook.com/daveruss66

    "I Shoulda, Woulda, Coulda ..." today, is likely the result of saying "F### it" yesterday

  3. #178
    Join Date
    Apr 2001
    Posts
    14,082
    Quote Originally Posted by DaveR View Post
    I wish we could have went to Bishop Don "Magic" Juan record store back in the day.

    Remix: I'll take 2 copies of Mainline and Head.
    Clerk: That ull be $42.50, where are you parked?
    Dave: $42.50 for three records?
    Clerk: $12.50 for the records, $30.00 for Kim.
    Remix: Dude....when I said 2 copies of Mainline and Head, I wanted the Bob James LP Heads...not a blowjob from Kim.
    Clerk: My bad man, the Jazz albums are over there by the door.
    Dave: Better be glad you didn't ask for Dominitrix.....LOL!!!
    Remix: Yea, i'd hate to beat a hoe down for hitting me with a whip.
    Last edited by LEONARD REMIX RROY; 06-13-2012 at 02:33 PM.

  4. #179
    Join Date
    Mar 2001
    Location
    nueba yol
    Posts
    9,576
    Quote Originally Posted by Myron View Post
    I don't consider him afor hypocrite, I just found some of his statements ironic, nothing more, nothing less.



    son, you were off on your initial assesment of the Hawtin intwerview and youre still off on what he was trying to convey in regards to Vegas
    then again, I dont take seriously what you post here in regards to techno since you began to pay more attention to it back in 2009 just like the rest of the B&T former Jonathan Peters crowd and nerdy ex-prog k heads who have embraced this sound lately

  5. #180
    Join Date
    Aug 2002
    Location
    spread love is the Brooklyn way
    Posts
    20,529

  6. #181
    Join Date
    Aug 2001
    Location
    Reigel 7
    Posts
    9,586
    Quote Originally Posted by liL Ray View Post
    You lucky I still consider you a friend...but this one left a mark...not sure if the credit covers this kind of hate..

    "your lame ass wmc party pics"

    damn.

    i have a very close friend where we go back and forth cussing each other out. it`s all love, kuo style!

    and you know those pics are some of my faves and i always look forward to viewing them! nothing but el oh vee e!!! have a blessed day!
    "We're not just dancing to have fun-we're dancing for survival. We're dancing to save our lives." PTT

  7. #182
    Join Date
    Oct 2003
    Location
    Arlington, VA (Washington DC Metro)
    Posts
    47,196
    Quote Originally Posted by Jozana View Post
    ... What i can't stand is the millions of idiots who will read an article like that and try to follow the formula hoping they have the same success when they don't even like that type of music. Playing, making, & promoting any type of music while you can't even stand the shit yourself is a part of the damn problem.
    see, that's the thing and the mistep imho Jozana ... it'st not about copying the formula, it's about learning some pieces of it

    taking the music-personalization & passion out of this --- e.g. - Sports Bars (they are not about hype, but then again, they are consistently busy) ... they can get people to patronize, spend money on food, drink and tip - all for providing the same product, that someone can get at home for free ... why? - b/c most of them provide an attractive and predictable gathering place and atmosphere ... ... that's what's lost in some sectors of dance music - folks forgot they were entertainers, and think it's all about them, and just the music

    ... as see on DHP before

    Ultra Music Fest in Miami: 150,000 people( I got a question) - http://deephousepage.com/forums/showthread.php?t=232370

    Quote Originally Posted by DaveR View Post
    Could you get 150,000 people to watch you and your friends drive in an oval for 4 hours? ... no

    ... but Nascar can
    Website - www.clubflipside.com | Beatport - http://dj.beatport.com/#/daver | Resident Advisor - www.residentadvisor.net/dj/daverussell |
    Podcast - www.daverussell.podomatic.com | YouTube - www.youtube.com/daveruss66 | Facebook - www.facebook.com/daveruss66

    "I Shoulda, Woulda, Coulda ..." today, is likely the result of saying "F### it" yesterday

  8. #183
    Join Date
    Aug 2001
    Posts
    45,401
    Quote Originally Posted by D J 1 3 8 View Post
    You cannot CONVINCE anyone that music is relevant. The very fact that you even have to attempt to do so is proof that it is NOT.

    Relevancy in music is determined by the masses liking it/buying it. If 4/4 soulful bongo house hasn't achieved relevancy on its own merit in the last 15 years (post 90s heyday), no amount of convincing will achieve that. The sound must evolve with the times. Plenty of successful cats within this scene (Ferrer, etc) recognize this and at least keep pace with if not stay ahead of the musical curve. They also stay paid. Coincidence?
    Damn

    Welcome to William Wilson circa 2002
    As for the charges against me, I am unconcerned. I am beyond their timid lying morality, and so I am beyond caring.

  9. #184
    Join Date
    Aug 2001
    Location
    Reigel 7
    Posts
    9,586
    Quote Originally Posted by DaveR View Post
    Thank you for typing this here, and not in the shadows (i.e. via PM)
    "We're not just dancing to have fun-we're dancing for survival. We're dancing to save our lives." PTT

  10. #185
    Join Date
    Jul 2001
    Location
    NYC
    Posts
    10,320
    Quote Originally Posted by El Mayimbe View Post
    son, you were off on your initial assesment of the Hawtin intwerview and youre still off on what he was trying to convey in regards to Vegas
    then again, I dont take seriously what you post here in regards to techno since you began to pay more attention to it back in 2009 just like the rest of the B&T former Jonathan Peters crowd and nerdy ex-prog k heads who have embraced this sound lately
    So I misunderstood what Richie said, fine, it's not the end of the world. And I remember going to the second DEMF and hearing Richie Hawtin on a boat in 1999.
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
    Myron's Library Blog: http://myronslibraryworld.wordpress.com/
    Myron's Twitter: http://twitter.com/#!/mr_intensity

  11. #186
    Join Date
    Aug 2001
    Posts
    45,401
    Quote Originally Posted by liL Ray View Post
    I can point to a few 90s star djs and show you how that turned out. But like DaveR said (yes, he does makes sense), you have to be out in front of the technology and move with the times to keep up.

    I will say it again, mofos now could give a fuck if you carried Larry's records or knew his coke man from uptown...and theat even includes the old farts like me.

    Be relevant!!!
    More William Wilson

    Circa 2002

    LOL
    As for the charges against me, I am unconcerned. I am beyond their timid lying morality, and so I am beyond caring.

  12. #187
    Join Date
    Oct 2003
    Location
    Arlington, VA (Washington DC Metro)
    Posts
    47,196
    Quote Originally Posted by TAD View Post
    Website - www.clubflipside.com | Beatport - http://dj.beatport.com/#/daver | Resident Advisor - www.residentadvisor.net/dj/daverussell |
    Podcast - www.daverussell.podomatic.com | YouTube - www.youtube.com/daveruss66 | Facebook - www.facebook.com/daveruss66

    "I Shoulda, Woulda, Coulda ..." today, is likely the result of saying "F### it" yesterday

  13. #188
    Join Date
    Aug 2001
    Posts
    45,401
    This has been a very interesting read. Interesting in that we seem to be slowly catching on to the fact that a tsunami washed over the dance music industry a few years back. That list is the result and not the phenomena itself

    How we remained oblivious to the times is actually the more relevant topic of discussion

    My theory: Too many "newbies" who lack talent, vision, and experience telling those who did about "keeping it real". This was abetted by acolytes of paid icons that kept you blowing up balloons but never explained to folks where to buy those balloons at

    But what do I know? I'm just a cook

    As for the charges against me, I am unconcerned. I am beyond their timid lying morality, and so I am beyond caring.

  14. #189
    Join Date
    Oct 2003
    Location
    Arlington, VA (Washington DC Metro)
    Posts
    47,196
    Quote Originally Posted by The Buddy Love Show View Post
    This has been a very interesting read. Interesting in that we seem to be slowly catching on to the fact that a tsunami washed over the dance music industry a few years back. That list is the result and not the phenomena itself

    How we remained oblivious to the times is actually the more relevant topic of discussion

    My theory: Too many "newbies" who lack talent, vision, and experience telling those who did about "keeping it real". This was abetted by acolytes of paid icons that kept you blowing up balloons but never explained to folks where to buy those balloons at

    But what do I know? I'm just a cook

    Website - www.clubflipside.com | Beatport - http://dj.beatport.com/#/daver | Resident Advisor - www.residentadvisor.net/dj/daverussell |
    Podcast - www.daverussell.podomatic.com | YouTube - www.youtube.com/daveruss66 | Facebook - www.facebook.com/daveruss66

    "I Shoulda, Woulda, Coulda ..." today, is likely the result of saying "F### it" yesterday

  15. #190
    Join Date
    Mar 2001
    Location
    nueba yol
    Posts
    9,576
    Quote Originally Posted by Myron View Post
    So I misunderstood what Richie said, fine, it's not the end of the world. And I remember going to the second DEMF and hearing Richie Hawtin on a boat in 1999.


    if thats the case then you'd understand the difference when he plays under the Plastikman guise versus DJ Richie Hawtin
    which was the main focus of your critique

    (still think youre a band wagon jumping poser btw :p )

  16. #191
    Join Date
    Aug 2001
    Posts
    45,401
    Addendum

    A big reason why many who play our music (deep house the black kind) wont be on this list is that too many that play our music are out there playing our music in clubs. These people can't play ( and I'm being polite ) Combine this with the fact that the crowd is either broke, ugly, fat, old or some combination of the above.

    Thats like charging money to view a Weight Watchers meeting. Ain't nobody paying to look at that mess (except those who are already in the demographic)

    Stop me when this becomes too much concept
    As for the charges against me, I am unconcerned. I am beyond their timid lying morality, and so I am beyond caring.

  17. #192
    Join Date
    Sep 2001
    Location
    Chicagoing
    Posts
    11,566
    Originally Posted by Henry 'da Man
    I going back to how can we grow on the undaground level without always bringing up commercializing, or mainstreaming the muzic.

    Quote Originally Posted by liL Ray View Post
    a very good topic to discuss...
    Nelson George covered this topic pretty well in two of his books, The Death of R&B, and Hip Hop America. ​They should be required reading for the music industry.
    "I bet you argue with yourself just to make a point." -- bkny11203
    Don't hate the black, don't hate the white. If you get bit, just hate the bite -- Sylvester Stewart aka Sly Stone
    I only debate my equals, all others I teach. -- John Henrik Clarke
    Frustration leads to long-term memory -- anonymous
    http://www.zshare.net/audio/185004588c9e04
    djmarbll.podomatic.com
    http://www.soundclick.com/bands/defa...?bandID=783049

  18. #193
    Join Date
    Jul 2001
    Location
    NYC
    Posts
    10,320
    Quote Originally Posted by El Mayimbe View Post
    if thats the case then you'd understand the difference when he plays under the Plastikman guise versus DJ Richie Hawtin
    which was the main focus of your critique

    (still think youre a band wagon jumping poser btw :p )
    One thing I am not is a bandwagon jumper Mr. Minimal Dubstep. Then again, you are probably projecting your own deficiencies at me.
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
    Myron's Library Blog: http://myronslibraryworld.wordpress.com/
    Myron's Twitter: http://twitter.com/#!/mr_intensity

  19. #194
    Join Date
    Jul 2001
    Location
    NYC
    Posts
    10,320
    Quote Originally Posted by DaveR View Post
    see, that's the thing and the mistep imho Jozana ... it'st not about copying the formula, it's about learning some pieces of it

    taking the music-personalization & passion out of this --- e.g. - Sports Bars (they are not about hype, but then again, they are consistently busy) ... they can get people to patronize, spend money on food, drink and tip - all for providing the same product, that someone can get at home for free ... why? - b/c most of them provide an attractive and predictable gathering place and atmosphere ... ... that's what's lost in some sectors of dance music - folks forgot they were entertainers, and think it's all about them, and just the music

    ... as see on DHP before

    Ultra Music Fest in Miami: 150,000 people( I got a question) - http://deephousepage.com/forums/showthread.php?t=232370
    Sometimes I wonder one of the reasons that people miss the point of the formula is because the wrong models are being presented. Maybe the model that should be presented for emulation should be someone like a Kerri Chandler rather than say a David Guetta. You say "David Guetta" to most around here and they have a preconceived image of his image, his music, his business style, etc., yet someone like a Kerri Chandler people over here would relate to more. I just finished reading his recent RA interview and it he dropped a lot of stuff that people could learn from. You say "EDM" here and people think "sell out" and would tune out but you say "deep house" the eyes and ears might be more receptive to those lessons that could be learned. Just a thought.

    Here's the interview

    http://www.residentadvisor.net/feature.aspx?1621
    Martino's criteria for mixes:
    Quote Originally Posted by martino View Post
    I want to hear something with some peaks and valleys (that make some kind of transitional sense), no key clashing (unless it somehow works in a tension building way), no vocal clashing, and overall good energy and maybe a bit drama happening would be cool.
    Myron's Library Blog: http://myronslibraryworld.wordpress.com/
    Myron's Twitter: http://twitter.com/#!/mr_intensity

  20. #195
    Join Date
    Sep 2001
    Location
    Washington DC
    Posts
    9,402
    Quote Originally Posted by Myron View Post
    Sometimes I wonder one of the reasons that people miss the point of the formula is because the wrong models are being presented. Maybe the model that should be presented for emulation should be someone like a Kerri Chandler rather than say a David Guetta. You say "David Guetta" to most around here and they have a preconceived image of his image, his music, his business style, etc., yet someone like a Kerri Chandler people over here would relate to more. I just finished reading his recent RA interview and it he dropped a lot of stuff that people could learn from. You say "EDM" here and people think "sell out" and would tune out but you say "deep house" the eyes and ears might be more receptive to those lessons that could be learned. Just a thought.

    While I understand what you are getting at, I think people's willingness to adhere too, and encourage those preconceived notions is precisely the argument. You can't truly learn all of the lessons available to you in this case unless you're willing to let go of the notions of selling out & stop allowing yourself or others close to you to fall back on "I'm keeping it real and they're only successful because they sold out" mantra.

    Part of the whole point is to get people to be willing to contest their own preconceived notions, and that doesn't go just for Guetta, but for life in general.

    If you can't even get someone past that first gate, the rest of the discussion is probably going to fall on deaf ears as well.

    Peace
    <cfif isDefined("session.user.sense") and ('#session.user.sense#') eq '0'>
    <cfset option = delete>
    </cfif>

  21. #196
    Join Date
    Nov 2003
    Location
    Bovineopolis
    Posts
    32,855
    Quote Originally Posted by mhd View Post
    zorry
    I just spit out my fucking protein drink.

    I hate you with everything in my lil moo-heart


    *tears* lol'ing my azz off
    F.O.N.O- The Sag Party
    Dec 3 @ The Paradox 1310 Russell Str.
    Wayne Davis and Mark Mendoza
    Hosted by Moo.

  22. #197
    Join Date
    Oct 2003
    Location
    Arlington, VA (Washington DC Metro)
    Posts
    47,196
    Quote Originally Posted by DeesKo View Post
    While I understand what you are getting at, I think people's willingness to adhere too, and encourage those preconceived notions is precisely the argument. You can't truly learn all of the lessons available to you in this case unless you're willing to let go of the notions of selling out & stop allowing yourself or others close to you to fall back on "I'm keeping it real and they're only successful because they sold out" mantra.

    Part of the whole point is to get people to be willing to contest their own preconceived notions, and that doesn't go just for Guetta, but for life in general.

    If you can't even get someone past that first gate, the rest of the discussion is probably going to fall on deaf ears as well.

    Peace
    Website - www.clubflipside.com | Beatport - http://dj.beatport.com/#/daver | Resident Advisor - www.residentadvisor.net/dj/daverussell |
    Podcast - www.daverussell.podomatic.com | YouTube - www.youtube.com/daveruss66 | Facebook - www.facebook.com/daveruss66

    "I Shoulda, Woulda, Coulda ..." today, is likely the result of saying "F### it" yesterday

  23. #198
    Join Date
    Mar 2008
    Location
    berlin
    Posts
    3,311
    Quote Originally Posted by Myron View Post
    Sometimes I wonder one of the reasons that people miss the point of the formula is because the wrong models are being presented. Maybe the model that should be presented for emulation should be someone like a Kerri Chandler rather than say a David Guetta. You say "David Guetta" to most around here and they have a preconceived image of his image, his music, his business style, etc., yet someone like a Kerri Chandler people over here would relate to more. I just finished reading his recent RA interview and it he dropped a lot of stuff that people could learn from. You say "EDM" here and people think "sell out" and would tune out but you say "deep house" the eyes and ears might be more receptive to those lessons that could be learned. Just a thought.

    Here's the interview

    http://www.residentadvisor.net/feature.aspx?1621

    thx for the link.

    how funny would it be if one of those from the list dropped a deep set?

  24. #199
    Join Date
    Jun 2006
    Location
    Spokane, Washington
    Posts
    6,069

  25. #200
    Join Date
    Sep 2001
    Location
    Belgium
    Posts
    8,594
    I just won the lottery for $124,255,265 and declared myself to be a dj.

    I won the list.

    The end.

    And I'm leaving DHP, that's official.

    Too much PM since the news of me being rich.

    Idance

Bookmarks

Posting Permissions

  • You may not post new threads
  • You may not post replies
  • You may not post attachments
  • You may not edit your posts
  •